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THE SONG OF THE LARK
投诉 阅读记录

第16章

Isometimeswonderwhethersheisnotglad。Freshassheisatitall,I’veoccasionallyfanciedthat,ifsheknewhow,shewouldliketo——diminish。"HemovedhislefthandoutintotheairasifheweresuggestingaDIMINUENDOtoanorchestra。

V

BYthefirstofFebruaryTheahadbeeninChicagoal—

mostfourmonths,andshedidnotknowmuchmoreaboutthecitythanifshehadneverquittedMoonstone。

Shewas,asHarsanyisaid,incurious。Herworktookmostofhertime,andshefoundthatshehadtosleepagooddeal。Ithadneverbeforebeensohardtogetupinthemorning。Shehadthebotherofcaringforherroom,andshehadtobuildherfireandbringuphercoal。HerroutinewasfrequentlyinterruptedbyamessagefromMr。Larsensummoninghertosingatafuneral。Everyfuneraltookhalfaday,andthetimehadtobemadeup。WhenMrs。

Harsanyiaskedherifitdidnotdepresshertosingatfu—

nerals,sherepliedthatshe"hadbeenbroughtuptogotofuneralsanddidn’tmind。"

Theaneverwentintoshopsunlessshehadto,andshefeltnointerestinthem。Indeed,sheshunnedthem,asplaceswhereonewassuretobepartedfromone’smoneyinsomeway。Shewasnervousaboutcountingherchange,andshecouldnotaccustomherselftohavingherpurchasessenttoheraddress。Shefeltmuchsaferwithherbundlesunderherarm。

DuringthisfirstwinterTheagotnocityconsciousness。

Chicagowassimplyawildernessthroughwhichonehadtofindone’sway。Shefeltnointerestinthegeneralbrisknessandzestofthecrowds。Thecrashandscrambleofthatbig,rich,appetentWesterncityshedidnottakeinatall,excepttonoticethatthenoiseofthedraysandstreet—carstiredher。Thebrilliantwindowdisplays,thesplendidfursandstuffs,thegorgeousflower—shops,thegaycandy—shops,shescarcelynoticed。AtChristmas—timeshedidfeelsomecuriosityaboutthetoy—stores,andshewishedsheheld

Thor’slittlemittenedfistinherhandasshestoodbeforethewindows。Thejewelers’windows,too,hadastrongattractionforher——shehadalwayslikedbrightstones。

Whenshewentintothecitysheusedtobravethebitinglakewindsandstandgazinginatthedisplaysofdiamondsandpearlsandemeralds;thetiarasandnecklacesandear—

rings,onwhitevelvet。Theseseemedverywellworthwhiletoher,thingsworthcoveting。

Mrs。LorchandMrs。AndersenoftentoldeachotheritwasstrangethatMissKronborghadsolittleinitiativeabout"visitingpointsofinterest。"WhenTheacametolivewiththemshehadexpressedawishtoseetwoplaces:MontgomeryWardandCompany’sbigmail—orderstore,andthepacking—houses,towhichallthehogsandcattlethatwentthroughMoonstonewerebound。OneofMrs。Lorch’slodgersworkedinapacking—house,andMrs。AndersenbroughtTheawordthatshehadspokentoMr。EckmanandhewouldgladlytakehertoPacking—

town。EckmanwasatoughishyoungSwede,andhethoughtitwouldbesomethingofalarktotakeaprettygirlthroughtheslaughter—houses。Buthewasdisap—

pointed。Theaneithergrewfaintnorclungtothearmhekeptofferingher。Sheaskedinnumerablequestionsandwasimpatientbecauseheknewsolittleofwhatwasgoingonoutsideofhisowndepartment。Whentheygotoffthestreet—carandwalkedbacktoMrs。Lorch’shouseinthedusk,Eckmanputherhandinhisovercoatpocket——shehadnomuff——andkeptsqueezingitardentlyuntilshesaid,"Don’tdothat;myringcutsme。"Thatnighthetoldhisroommatethathe"couldhavekissedheraseasyasrollingoffalog,butshewasn’tworththetrouble。"AsforThea,shehadenjoyedtheafternoonverymuch,andwroteherfatherabriefbutclearaccountofwhatshehadseen。

OnenightatsupperMrs。Andersenwastalkingabouttheexhibitofstudents’workshehadseenattheArtIn—

stitutethatafternoon。Severalofherfriendshadsketchesintheexhibit。Thea,whoalwaysfeltthatshewasbe—

hindhandincourtesytoMrs。Andersen,thoughtthatherewasanopportunitytoshowinterestwithoutcommittingherselftoanything。"Whereisthat,theInstitute?"sheaskedabsently。

Mrs。Andersenclaspedhernapkininbothhands。"TheArtInstitute?OurbeautifulArtInstituteonMichiganAvenue?Doyoumeantosayyouhavenevervisitedit?"

"Oh,isittheplacewiththebiglionsoutinfront?I

remember;IsawitwhenIwenttoMontgomeryWard’s。

Yes,Ithoughtthelionswerebeautiful。"

"Butthepictures!Didn’tyouvisitthegalleries?"

"No。Thesignoutsidesaiditwasapay—day。I’veal—

waysmeanttogoback,butIhaven’thappenedtobedownthatwaysince。"

Mrs。LorchandMrs。Andersenlookedateachother。

Theoldmotherspoke,fixinghershininglittleeyesuponTheaacrossthetable。"Ah,butMissKronborg,thereareoldmasters!Oh,manyofthem,suchasyoucouldnotseeanywhereoutofEurope。"

"AndCorots,"breathedMrs。Andersen,tiltingherheadfeelingly。"SuchexamplesoftheBarbizonschool!"

ThiswasmeaninglesstoThea,whodidnotreadtheartcolumnsoftheSundayINTER—OCEANasMrs。Andersendid。

"Oh,I’mgoingtheresomeday,"shereassuredthem。

"Iliketolookatoilpaintings。"

OnebleakdayinFebruary,whenthewindwasblow—

ingcloudsofdirtlikeaMoonstonesandstorm,dirtthatfilledyoureyesandearsandmouth,TheafoughtherwayacrosstheunprotectedspaceinfrontoftheArtInstituteandintothedoorsofthebuilding。Shedidnotcomeoutagainuntiltheclosinghour。Inthestreet—car,onthelongcoldridehome,whileshesatstaringatthewaistcoatbut—

tonsofafatstrap—hanger,shehadaseriousreckoningwithherself。Sheseldomthoughtaboutherwayoflife,about

whatsheoughtoroughtnottodo;usuallytherewasbutoneobviousandimportantthingtobedone。Butthatafternoonsheremonstratedwithherselfseverely。Shetoldherselfthatshewasmissingagreatdeal;thatsheoughttobemorewillingtotakeadviceandtogotoseethings。ShewassorrythatshehadletmonthspasswithoutgoingtotheArtInstitute。Afterthisshewouldgoonceaweek。

TheInstituteproved,indeed,aplaceofretreat,asthesandhillsortheKohlers’gardenusedtobe;aplacewhereshecouldforgetMrs。Andersen’stiresomeoverturesoffriendship,thestoutcontraltointhechoirwhomshesounreasonablyhated,andeven,foralittlewhile,thetormentofherwork。Thatbuildingwasaplaceinwhichshecouldrelaxandplay,andshecouldhardlyeverplaynow。Onthewhole,shespentmoretimewiththecaststhanwiththepictures。Theywereatoncemoresimpleandmoreperplexing;andsomewaytheyseemedmoreimportant,hardertooverlook。Itneveroccurredtohertobuyacatalogue,soshecalledmostofthecastsbynamesshemadeupforthem。Someofthemsheknew;theDyingGladiatorshehadreadaboutin"ChildeHarold"almostaslongagoasshecouldremember;hewasstronglyas—

sociatedwithDr。Archieandchildishillnesses。TheVenusdiMilopuzzledher;shecouldnotseewhypeoplethoughthersobeautiful。ShetoldherselfoverandoverthatshedidnotthinktheApolloBelvedere"atallhandsome。"

Betterthananythingelseshelikedagreatequestrianstatueofanevil,cruel—lookinggeneralwithanunpro—

nounceablename。Sheusedtowalkroundandroundthisterriblemanandhisterriblehorse,frowningathim,brood—

inguponhim,asifshehadtomakesomemomentousde—

cisionabouthim。

Thecasts,whenshelingeredlongamongthem,alwaysmadehergloomy。Itwaswithalighteningoftheheart,afeelingofthrowingofftheoldmiseriesandoldsorrowsoftheworld,thatsheranupthewidestaircasetothepic—

tures。Thereshelikedbesttheonesthattoldstories。

TherewasapaintingbyGeromecalled"ThePasha’sGrief"whichalwaysmadeherwishforGunnerandAxel。

ThePashawasseatedonarug,besideagreencandleal—

mostasbigasatelegraphpole,andbeforehimwasstretchedhisdeadtiger,asplendidbeast,andtherewerepinkrosesscatteredabouthim。Sheloved,too,apictureofsomeboysbringinginanewborncalfonalitter,thecowwalkingbesideitandlickingit。TheCorotwhichhungnexttothispaintingshedidnotlikeordislike;sheneversawit。

Butinthatsameroomtherewasapicture——oh,thatwasthethingsheranupstairssofasttosee!Thatwasherpicture。Sheimaginedthatnobodycaredforitbutherself,andthatitwaitedforher。Thatwasapicturein—

deed。Shelikedeventhenameofit,"TheSongoftheLark。"Theflatcountry,theearlymorninglight,thewetfields,thelookinthegirl’sheavyface——well,theywereallhers,anyhow,whateverwasthere。Shetoldherselfthatthatpicturewas"right。"Justwhatshemeantbythis,itwouldtakeacleverpersontoexplain。Buttoherthewordcoveredthealmostboundlesssatisfactionshefeltwhenshelookedatthepicture。

BeforeTheahadanyideahowfasttheweekswerefly—

ing,beforeMr。Larsen’s"permanent"sopranohadre—

turnedtoherduties,springcame;windy,dusty,strident,shrill;aseasonalmostmoreviolentinChicagothanthewinterfromwhichitreleasesone,ortheheattowhichiteventuallydeliversone。OnesunnymorningtheappletreesinMrs。Lorch’sbackyardburstintobloom,andforthefirsttimeinmonthsTheadressedwithoutbuildingafire。Themorningshonelikeaholiday,andforheritwastobeaholiday。Therewasintheairthatsudden,treacher—

oussoftnesswhichmakesthePoleswhoworkinthepack—

ing—housesgetdrunk。Atsuchtimesbeautyisnecessary,andinPackingtownthereisnoplacetogetitexceptatthe

saloons,whereonecanbuyforafewhourstheillusionofcomfort,hope,love,——whateveronemostlongsfor。

HarsanyihadgivenTheaaticketforthesymphonyconcertthatafternoon,andwhenshelookedoutatthewhiteappletreesherdoubtsastowhethersheoughttogovanishedatonce。Shewouldmakeherworklightthatmorning,shetoldherself。Shewouldgototheconcertfullofenergy。Whenshesetoff,afterdinner,Mrs。Lorch,whoknewChicagoweather,prevaileduponhertotakehercape。Theoldladysaidthatsuchsuddenmildness,soearlyinApril,presagedasharpreturnofwinter,andshewasanxiousaboutherappletrees。

Theconcertbeganattwo—thirty,andTheawasinherseatintheAuditoriumattenminutesaftertwo——afineseatinthefirstrowofthebalcony,ontheside,whereshecouldseethehouseaswellastheorchestra。Shehadbeentosofewconcertsthatthegreathouse,thecrowdofpeople,andthelights,allhadastimulatingeffect。Shewassurprisedtoseesomanymenintheaudience,andwonderedhowtheycouldleavetheirbusinessintheafter—

noon。DuringthefirstnumberTheawassomuchinter—

estedintheorchestraitself,inthemen,theinstruments,thevolumeofsound,thatshepaidlittleattentiontowhattheywereplaying。Herexcitementimpairedherpoweroflistening。Shekeptsayingtoherself,"NowImuststopthisfoolishnessandlisten;Imayneverhearthisagain";buthermindwaslikeaglassthatishardtofocus。Shewasnotreadytolistenuntilthesecondnum—

ber,Dvorak’sSymphonyinEminor,calledonthepro—

gramme,"FromtheNewWorld。"Thefirstthemehadscarcelybeengivenoutwhenhermindbecameclear;in—

stantcomposurefelluponher,andwithitcamethepowerofconcentration。Thiswasmusicshecouldunderstand,musicfromtheNewWorldindeed!Strangehow,asthefirstmovementwenton,itbroughtbacktoherthathightablelandaboveLaramie;thegrass—grownwagon

trails,thefar—awaypeaksofthesnowyrange,thewindandtheeagles,thatoldmanandthefirsttelegraphmessage。

Whenthefirstmovementended,Thea’shandsandfeetwerecoldasice。Shewastoomuchexcitedtoknowany—

thingexceptthatshewantedsomethingdesperately,andwhentheEnglishhornsgaveoutthethemeoftheLargo,sheknewthatwhatshewantedwasexactlythat。Herewerethesandhills,thegrasshoppersandlocusts,allthethingsthatwakenedandchirpedintheearlymorning;

thereachingandreachingofhighplains,theimmeas—

urableyearningofallflatlands。Therewashomeinit,too;firstmemories,firstmorningslongago;theamaze—

mentofanewsoulinanewworld;asoulnewandyetold,thathaddreamedsomethingdespairing,somethingglori—

ous,inthedarkbeforeitwasborn;asoulobsessedbywhatitdidnotknow,underthecloudofapastitcouldnotre—

call。

IfTheahadhadmuchexperienceinconcert—going,andhadknownherowncapacity,shewouldhaveleftthehallwhenthesymphonywasover。Butshesatstill,scarcelyknowingwhereshewas,becausehermindhadbeenfarawayandhadnotyetcomebacktoher。Shewasstartledwhentheorchestrabegantoplayagain——theentryofthegodsintoWalhalla。Shehearditaspeoplehearthingsintheirsleep。SheknewscarcelyanythingabouttheWagneroperas。Shehadavagueideathat"Rhinegold"wasaboutthestrifebetweengodsandmen;

shehadreadsomethingaboutitinMr。Haweis’sbooklongago。Tootiredtofollowtheorchestrawithmuchunder—

standing,shecroucheddowninherseatandclosedhereyes。Thecold,statelymeasuresoftheWalhallamusicrangout,faraway;therainbowbridgethrobbedoutintotheair,underitthewailingoftheRhinedaughtersandthesingingoftheRhine。ButTheawassunkintwilight;

itwasallgoingoninanotherworld。Soithappenedthatwithadull,almostlistlessearsheheardforthefirsttime

thattroubledmusic,ever—darkening,ever—brightening,whichwastoflowthroughsomanyyearsofherlife。

WhenTheaemergedfromtheconcerthall,Mrs。Lorch’spredictionshadbeenfulfilled。AfuriousgalewasbeatingoverthecityfromLakeMichigan。Thestreetswerefullofcold,hurrying,angrypeople,runningforstreet—carsandbarkingateachother。Thesunwassettinginaclear,windysky,thatflamedwithredasiftherewereagreatfiresomewhereontheedgeofthecity。ForalmostthefirsttimeTheawasconsciousofthecityitself,ofthecon—

gestionoflifeallabouther,ofthebrutalityandpowerofthosestreamsthatflowedinthestreets,threateningtodriveoneunder。Peoplejostledher,ranintoher,pokedherasidewiththeirelbows,utteringangryexclamations。

Shegotonthewrongcarandwasroughlyejectedbytheconductoratawindycorner,infrontofasaloon。Shestoodtheredazedandshivering。Thecarspassed,screamingastheyroundedcurves,buteithertheywerefulltothedoors,orwereboundforplaceswhereshedidnotwanttogo。

Herhandsweresocoldthatshetookoffhertightkidgloves。Thestreetlightsbegantogleaminthedusk。A

youngmancameoutofthesaloonandstoodeyeingherquestioninglywhilehelitacigarette。"Lookingforafriendto—night?"heasked。Theadrewupthecollarofhercapeandwalkedonafewpaces。Theyoungmanshruggedhisshouldersanddriftedaway。

Theacamebacktothecornerandstoodthereirreso—

lutely。Anoldmanapproachedher。He,too,seemedtobewaitingforacar。Heworeanovercoatwithablackfurcollar,hisgraymustachewaswaxedintolittlepoints,andhiseyeswerewatery。Hekeptthrustinghisfaceupnearhers。Herhatblewoffandheranafterit——astiff,pitifulskiphehad——andbroughtitbacktoher。Then,whileshewaspinningherhaton,hercapeblewup,andhehelditdownforher,lookingatherintently。Hisfaceworkedasifheweregoingtocryorwerefrightened。Heleaned

overandwhisperedsomethingtoher。Itstruckherascuriousthathewasreallyquitetimid,likeanoldbeggar。

"Oh,letmeALONE!"shecriedmiserablybetweenherteeth。

Hevanished,disappearedliketheDevilinaplay。Butinthemeantimesomethinghadgotawayfromher;shecouldnotrememberhowtheviolinscameinafterthehorns,justthere。Whenhercapeblewup,perhaps——Whydidthesementormenther?Acloudofdustblewinherfaceandblindedher。Therewassomepowerabroadintheworldbentupontakingawayfromherthatfeelingwithwhichshehadcomeoutoftheconcerthall。Everythingseemedtosweepdownonhertotearitoutfromunderhercape。Ifonehadthat,theworldbecameone’senemy;

people,buildings,wagons,cars,rushedatonetocrushitunder,tomakeoneletgoofit。Theaglaredroundheratthecrowds,theugly,sprawlingstreets,thelonglinesoflights,andshewasnotcryingnow。HereyeswerebrighterthanevenHarsanyihadeverseenthem。Allthesethingsandpeoplewerenolongerremoteandnegli—

gible;theyhadtobemet,theywerelinedupagainsther,theyweretheretotakesomethingfromher。Verywell;

theyshouldneverhaveit。Theymighttramplehertodeath,buttheyshouldneverhaveit。Aslongasshelivedthatecstasywasgoingtobehers。Shewouldliveforit,workforit,dieforit;butshewasgoingtohaveit,timeaftertime,heightafterheight。Shecouldhearthecrashoftheorchestraagain,andsheroseonthebrasses。Shewouldhaveit,whatthetrumpetsweresinging!Shewouldhaveit,haveit,——it!Undertheoldcapeshepressedherhandsuponherheavingbosom,thatwasalittlegirl’snolonger。

VI

ONEafternooninApril,TheodoreThomas,thecon—

ductoroftheChicagoSymphonyOrchestra,hadturnedouthisdesklightandwasabouttoleavehisofficeintheAuditoriumBuilding,whenHarsanyiappearedinthedoorway。Theconductorwelcomedhimwithaheartyhand—gripandthrewofftheovercoathehadjustputon。

HepushedHarsanyiintoachairandsatdownathisbur—

deneddesk,pointingtothepilesofpapersandrailwayfoldersuponit。

"Anothertour,cleartothecoast。Thistravelingisthepartofmyworkthatgrindsme,Andor。Youknowwhatitmeans:badfood,dirt,noise,exhaustionforthemenandforme。I’mnotsoyoungasIoncewas。It’stimeIquitthehighway。Thisisthelasttour,Iswear!"

"ThenI’msorryforthe`highway。’IrememberwhenI

firstheardyouinPittsburg,longago。Itwasalife—lineyouthrewme。It’saboutoneofthepeoplealongyourhigh—

waythatI’vecometoseeyou。WhomdoyouconsiderthebestteacherforvoiceinChicago?"

Mr。Thomasfrownedandpulledhisheavymustache。

"Letmesee;IsupposeonthewholeMadisonBowersisthebest。He’sintelligent,andhehadgoodtraining。I

don’tlikehim。"

Harsanyinodded。"Ithoughttherewasnooneelse。

Idon’tlikehim,either,soIhesitated。ButIsupposehemustdo,forthepresent。"

"Haveyoufoundanythingpromising?Oneofyourownstudents?"

"Yes,sir。AyoungSwedishgirlfromsomewhereinColorado。Sheisverytalented,andsheseemstometohavearemarkablevoice。"

"Highvoice?"

"Ithinkitwillbe;thoughherlowvoicehasabeauti—

fulquality,veryindividual。Shehashadnoinstructioninvoiceatall,andIshrinkfromhandingherovertoany—

body;herowninstinctaboutithasbeensogood。Itisoneofthosevoicesthatmanagesitselfeasily,withoutthinningasitgoesup;goodbreathingandperfectrelaxa—

tion。Butshemusthaveateacher,ofcourse。Thereisabreakinthemiddlevoice,sothatthevoicedoesnotallworktogether;anunevenness。"

Thomaslookedup。"So?Curious;thatcleftoftenhappenswiththeSwedes。Someoftheirbestsingershavehadit。Italwaysremindsmeofthespaceyousooftenseebetweentheirfrontteeth。Isshestrongphysically?"

Harsanyi’seyeflashed。Heliftedhishandbeforehimandclenchedit。"Likeahorse,likeatree!EverytimeIgiveheralesson,Iloseapound。Shegoesafterwhatshewants。"

"Intelligent,yousay?Musicallyintelligent?"

"Yes;butnocultivationwhatever。Shecametomelikeafineyoungsavage,abookwithnothingwritteninit。

ThatiswhyIfeeltheresponsibilityofdirectingher。"

Harsanyipausedandcrushedhissoftgrayhatoverhisknee。"Shewouldinterestyou,Mr。Thomas,"headdedslowly。"Shehasaquality——veryindividual。"

"Yes;theScandinaviansareapttohavethat,too。Shecan’tgotoGermany,Isuppose?"

"Notnow,atanyrate。Sheispoor。"

Thomasfrownedagain"Idon’tthinkBowersareallyfirst—rateman。He’stoopettytobereallyfirst—rate;inhisnature,Imean。ButIdaresayhe’sthebestyoucando,ifyoucan’tgivehertimeenoughyourself。"

Harsanyiwavedhishand。"Oh,thetimeisnothing——shemayhaveallshewants。ButIcannotteachhertosing。"

"Mightnotcomeamissifyoumadeamusicianofher,however,"saidMr。Thomasdryly。

"Ihavedonemybest。ButIcanonlyplaywithavoice,andthisisnotavoicetobeplayedwith。Ithinkshewillbeamusician,whateverhappens。Sheisnotquick,butsheissolid,real;notliketheseothers。Mywifesaysthatwiththatgirloneswallowdoesnotmakeasummer。"

Mr。Thomaslaughed。"TellMrs。Harsanyithatherremarkconveyssomethingtome。Don’tletyourselfgettoomuchinterested。Voicesaresooftendisappointing;

especiallywomen’svoices。Somuchchanceaboutit,somanyfactors。"

"Perhapsthatiswhytheyinterestone。Alltheintelli—

genceandtalentintheworldcan’tmakeasinger。Thevoiceisawildthing。Itcan’tbebredincaptivity。Itisasport,likethesilverfox。Ithappens。"

Mr。ThomassmiledintoHarsanyi’sgleamingeye。

"Whyhaven’tyoubroughthertosingforme?"

"I’vebeentemptedto,butIknewyouweredriventodeath,withthistourconfrontingyou。"

"Oh,Icanalwaysfindtimetolistentoagirlwhohasavoice,ifshemeansbusiness。I’msorryI’mleavingsosoon。IcouldadviseyoubetterifIhadheardher。Icansometimesgiveasingersuggestions。I’veworkedsomuchwiththem。"

"You’retheonlyconductorIknowwhoisnotsnobbishaboutsingers。"Harsanyispokewarmly。

"Dearme,whyshouldIbe?They’velearnedfromme,andI’velearnedfromthem。"Astheyrose,Thomastooktheyoungermanaffectionatelybythearm。"Tellmeaboutthatwifeofyours。Isshewell,andaslovelyasever?

Andsuchfinechildren!Cometoseemeoftener,whenIgetback。Imissitwhenyoudon’t。"

ThetwomenlefttheAuditoriumBuildingtogether。

Harsanyiwalkedhome。EvenashorttalkwithThomasalwaysstimulatedhim。AshewalkedhewasrecallinganeveningtheyoncespenttogetherinCincinnati。

HarsanyiwasthesoloistatoneofThomas’sconcerts

there,andaftertheperformancetheconductorhadtakenhimofftoaRATHSKELLERwheretherewasexcellentGermancooking,andwheretheproprietorsawtoitthatThomashadthebestwinesprocurable。ThomashadbeenworkingwiththegreatchorusoftheFestivalAssociationandwasspeakingofitwithenthusiasmwhenHarsanyiaskedhimhowitwasthathewasabletofeelsuchaninterestinchoraldirectingandinvoicesgenerally。Thomasseldomspokeofhisyouthorhisearlystruggles,butthatnightheturnedbackthepagesandtoldHarsanyialongstory。

HesaidhehadspentthesummerofhisfifteenthyearwanderingaboutaloneintheSouth,givingviolincon—

certsinlittletowns。Hetraveledonhorseback。Whenhecameintoatown,hewentaboutalldaytackinguppostersannouncinghisconcertintheevening。Beforetheconcert,hestoodatthedoortakingintheadmissionmoneyuntilhisaudiencehadarrived,andthenhewentontheplatformandplayed。Itwasalazy,hand—to—mouthex—

istence,andThomassaidhemusthavegottolikethateasywayoflivingandtherelaxingSouthernatmosphere。

Atanyrate,whenhegotbacktoNewYorkinthefall,hewasrathertorpid;perhapshehadbeengrowingtoofast。

Fromthisadolescentdrowsinesstheladwasawakenedbytwovoices,bytwowomenwhosanginNewYorkin1851,——JennyLindandHenriettaSontag。Theywerethefirstgreatartistshehadeverheard,andheneverforgothisdebttothem。

Ashesaid,"Itwasnotvoiceandexecutionalone。Therewasagreatnessaboutthem。Theyweregreatwomen,greatartists。Theyopenedanewworldtome。"Nightafternighthewenttohearthem,strivingtoreproducethequalityoftheirtoneuponhisviolin。Fromthattimehisideaaboutstringswascompletelychanged,andonhisviolinhetriedalwaysforthesinging,vibratingtone,in—

steadoftheloudandsomewhatharshtonethenprevalentamongeventhebestGermanviolinists。Inlateryearshe

oftenadvisedvioliniststostudysinging,andsingerstostudyviolin。HetoldHarsanyithathegothisfirstcon—

ceptionoftonequalityfromJennyLind。

"But,ofcourse,"headded,"thegreatthingIgotfromLindandSontagwastheindefinite,notthedefinite,thing。

Foranimpressionableboy,theirinspirationwasincalcu—

lable。TheygavememyfirstfeelingfortheItalianstyle——butIcouldneversayhowmuchtheygaveme。Atthatage,suchinfluencesareactuallycreative。Ialwaysthinkofmyartisticconsciousnessasbeginningthen。"

AllhislifeThomasdidhisbesttorepaywhathefeltheowedtothesinger’sart。Nomancouldgetsuchsingingfromchoruses,andnomanworkedhardertoraisethestandardofsinginginschoolsandchurchesandchoralsocieties。

VII

AllthroughthelessonTheahadfeltthatHarsanyiwasrestlessandabstracted。Beforethehourwasover,hepushedbackhischairandsaidresolutely,"Iamnotinthemood,MissKronborg。Ihavesomethingonmymind,andImusttalktoyou。Whendoyouintendtogohome?"

Theaturnedtohiminsurprise。"ThefirstofJune,about。Mr。Larsenwillnotneedmeafterthat,andIhavenotmuchmoneyahead。Ishallworkhardthissummer,though。"

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